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Never before have I encountered such a diverse menagerie of misfit cast-offs in a superhero program. The key to Gaim’s charm lies in its characters. And, yes, when people get hit, inexplicable sparks fly from their bodies, just like in Power Rangers.
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Plus there’s all that ass kicking that happens. Each episode bombards us with new characters and more over-the-top power-ups and weapons than we can shake a fruit roll-up at. Every single episode is dead set on astonishing you at least once or twice, whether it be through the new info that expands its world, or a plot twist, or a double-cross, or brand new weapon, or even something as simple a new transformation montage. What I like the most about this show is that it’s built on the power of surprise. And where, exactly, do those zipper portals in the sky lead to? A deep, dark forest dimension called Helheim, the power of which the shadowy organization has only just begun to harness for its own sinister plans.
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Like: where do all these Lockseeds and Driver belts come from, anyway? The short answer is the Yggdrasill Corporation, as part of a world-ending global conspiracy. You put the Lock Seed into the Driver and cut it open with that miniature neon yellow…knife…thing…
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It’s a belt (as is the typical henshin device that Kamen Riders use) that resembles, um, a cutting board. Or enormous mechanical replicas of fruit that fall on your head, transforming you into a cybernetic Samurai warrior with so much fruity, juicy power you’ll feel like you’re in an old Gushers commercial.īut you can’t morph into the fruity “Armored Rider” mode without another important piece of quirky technology – the Sengoku Driver. (Not conversationally mind you.) Secondly, when their switches are flipped, giant zipper portals unzip themselves in the sky and summon the Inves. How can one begin to describe the mad genius of Lockseeds?įirst off, they look like your average, everyday padlock, but they come in fruit and nut varieties. These disturbing little critters are called Inves, and they’re summoned by the power of the most glorious magical widget ever: Lockseeds.
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There’s something else I should mention about these dance competitions: the kids don’t just dance in them - they also duel monsters (because it’s not Saturday morning in Japan without the collecting and fighting of imaginative creatures). What I love about Gaim is that its main storyline is so bizarre and complex that it can’t easily be summarized in one or two sentences.
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Using 2002’s Kamen Rider Ryuki as inspiration, Urobuchi came up with probably the most bizarre and awe-inspiring action/sci-fi series I’ll probably see in my entire lifetime. Thus, Toei studios decided to take their fifteenth Heisei era Rider program in a fresh direction, so they hired Gen Urobuchi (the mastermind behind such anime as Puella Magi Madoka Magica, Psycho-Pass, and Fate/Zero) to come up with a livelier story for the traditional Japanese hero. Wizard, the series that preceded Gaim, embodied these flaws all too well. Gaim came at a time when Kamen Rider series were beginning to fall into a languid rut with repetitive, formulaic plots and anticlimactic pacing. If you’re reading this article, there’s a big chance you already knew this. The fact that they had peculiar theme songs didn’t help matters, either. Both attempts were met with blank stares from the targeted demographic of 8-11 year-old boys, along with light cricket chirpings. For those of you who don’t know, Kamen Rider actually has been adapted for American audiences before - once as Saban’s Masked Rider in 1995, then as Adness Entertainment’s Kamen Rider Dragon Knight in 2009.